A Sprig of Rosemary

So, originally this blogpost was going to be about how I didn’t have any inspiration for my second fantasy novel. How the first one seemed to flow much easier than this one and how the plotpoints I created made sense. How I was so stuck on this second book that I was going to do something else for a while (even though I used that excuse before concerning this WIP). How I was just so freaking disappointed in myself for not figuring things out in my fantasy world, for letting my writing self down, for not being creative enough.

That was what my blogpost was going to be about.

And then something amazing happened. I opened up my documents, turned on some Lord of the Rings music, and just stared at the words for a little while. Stared at the my confused words like: “Plot?” and “What is her motivation??” and “Character arc???” All questions and no answers, the tiny red ellipses beaming like shameful reminders of my lack of my creativity. I just…stared. And wondered. And listened to the Lord of the Rings fantasy music swell and ebb. I thought about my main character and the world I had created and the magic I wanted to explore and the darker side of the realm. I thought about my first fantasy book still at the beta readers and wondered if they’d like it or if I’d have to scrap something I loved. I wondered about the ties from that book and into this one, how corrupted versions of the crafting abilities could become and how I wanted to showcase another version of that in this book. I just took some time, sitting in front of my WIP fantasy brainstorming documents and listening to LOTRs, really contemplating my manuscript and what I wanted this story to be about.

And then, seemingly out of nowhere, an idea came into my mind. It’s not a fully fleshed out idea. It’s not the entire plot of my manuscript. It’s not “everything.”

It’s actually kind of a small idea, now that I think about it…a sprig of a larger branch of a larger plant. A sprig of rosemary, perhaps, that I can offer to my creative muse.

But it’s something. Something to build off of. Something to be excited about. And something that ties in my MCs motivations, the corrupted version of magic I wanted to explore, and an interesting plotpoint to weave throughout the story.

It’s something. And my advice to anyone else struggling to write, doubting their creative muse, doubting their writing?

Don’t force it. Whenever I would sit down to write, I’d think, Okay, Doherty, time to do this. Time to be creative. … … Go. Go, already. Creativity?? When nothing came, it would eventually spiral into, Okay…okay…okay…nothing. Bah! 

Don’t feel bad. So, because I wanted my creativity to spark so badly, I was disappointed when I didn’t think of anything. It doesn’t help to think that, but every writer doubts their craft.

Keep going. Allow yourself some time to think. Sit with your budding creation and wonder what could happen, what kinds of things you’d like to write about, whatever’s cool or interesting or intriguing. Think about your world and your characters. Sit with it for a while and see what happens.

(And, put on some music, too! But that step is optional.)

Here’s hoping you have a creative weekend!
Warm regards,
Kellie

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Five More Writing Tips

Hello my fellow writing nerds!

Sooo, I recently realized that I haven’t posted on here in over a month. It’s been a trying month for me, but that’s no excuse! Maybe I should try to write a bunch of posts and then schedule them? Annnnnnyway, what better way to start this little blog back up again than some more Writing Tips I enjoy:

1.) This writing tip comes from Jack London and I may or may not have used it here before but it’s one of my favorites: “You can’t wait for inspiration. You have to go after it with a club.” (Spoiler: It’s true for life, too.)

2.) Set your work aside for a little bit before diving back into it again for another read through. Coming back to the work with a fresh eyes helps to catch the little things you may have missed if you went straight into editing mode. It might also help you get some new ideas for the work, too!

3.) Your characters don’t have to be likable (like villains), but they do have to be believable and compelling. Add in some faults to the character. Some good things, too, maybe. Definitely some motivation for why they’re doing this terrible thing.

4). The first draft, or second draft, or third draft doesn’t have to be perfect. Keep writing, put that story on paper, and then flesh it out and mold it into something beautiful later on.

5.) Sometimes characters have to walk through fire and come out better for it on the other side. (I’m paraphrasing a favorite quote of mine from Critical Role here, said by none other than Patrick Rothfuss.) But seriously, it’s true. Make your characters go through hard things and see what happens to them while they do and see how they fair on the other side. Did they crack under pressure? Did they embrace the flames? Did they get stronger or weaker once it was over? Did they learn anything? The truth is, we never really learn things unless we make mistakes and overcome them. Get better because of them. The characters have to go through a similar transformation. (Granted, the characters could crack, too, could feel weaker, could feel sad instead of empowered and that’s good, too, because some folks do crack under pressure or don’t learn the thing after one or two mistakes.) Put them through the fire and see what comes out the other side.

Well, that’s all for now. I hope everyone is having a lovely Labor Day weekend!
Warm regards,
Kellie

WritingLife: The Little Detail Of Food

Food. It’s something we need to survive. It can be a rustic fair or a fancy creation, but regardless we all need to eat. Food does more than that, though, it can bring a family around a dinner table or open the eyes of an outsider. It can hint at how wealthy an establishment is. It can also showcase what’s in season in that area and what’s valued in that culture. Food can do so much. So why does it sometimes get passed over in our writings? Why do these little details so often get overlooked?

For example, I’m a freelance editor and as such I have the lovely opportunity to work with some amazing writers. One such writer kept mentioning food but wasn’t specific to what the food actually was. I pointed it out, and they replied saying I was “too obsessed” with food. But really, those little details were actually important. The story was set in Japan and food is a huge part of their culture (of any culture, I’d wager) and vastly different than our own. (For example: In Japan it’s common to have cooked rice with a cracked egg overtop for breakfast.) Instead of saying “XX had breakfast” and move on, adding in that small detail would ground the reader in this setting and in this culture. It was an interesting back-and-forth, and eventually the writer understood where I was coming from and added those details in. I believe the setting is stronger because of that.

And I’m here to implore all writers to include this sensory activity in their stories. After all, food is important, regardless of race. (Unless…you have a race that doesn’t eat, but that opens up a whole new set of experiences!) Now, that’s not to say every page has to have some kind of food on it. Don’t overboard the reader with an onslaught of meals, as that would probably get boring. But don’t forget them either.

Like I said before, food can help build the setting and tone of your story. A meal in a post-apocalyptic world would be vastly different than a meal set on a spaceship or a meal in historic Japan. A sit-down meal surrounded by family sets a different tone than a quick meal on the run or a hearty meal in a pub.

Food can help solidify the reader in a character’s POV. Is the soup too spicy? Is the bread too soft or salty or filled with nuts they don’t like? Does the juice from that purply-green fruit drip down their chin? Burst over their tongue? Scorch their throat going down?

Food can also help shape your characters. Do they miss certain foods from back home? Do they like certain spices or sweets? Do they even know what meats or vegetables are in the soup they’re currently enjoying?

These things may seem tiny among the “bigger details” like the plotline and the character arcs and the overall setting, but these little descriptions ground the readers in your world and your character. These little descriptions make the place seem real.

What do you think? Add a comment below!

Hope you have a lovely 4th of July weekend!
Until next time!
Kellie

A Writer’s How-To: Memorable Settings

I find the easiest way to create a memorable setting is to make it unique. If your story is set in the mountains, give the mountains a cool name with some weird creatures living in it. If the story is set in space, make the spaceship feel like home and add some quirks to it. (After all, we all have that ONE FREAKING FLOORBOARD that creeks like some horror story bad guy is coming to kill you in the middle of the night.) If your story is a romance, make the setting cozy by adding in something that means the world to the main character or something that brings up some unfinished memories.

If you give the setting something specific, something unique to itself, some defining character, readers will remember it better. (It’s the same with making memorable characters!)

Three of my favorite settings are, in no particular order: Hogwarts, because of the ghosts and the moving staircase and trick doors; Serenity, because even though it fell apart ALL THE TIME it became a home and sanctuary to the crew; the Arenas in the first and second Hunger Games books, because it seriously messed with the tributes in unique and challenging ways.

Why do I like them most? They all offered something unexpected and added dimensions to the story, as well as pushed the story along. Doing so with your settings will help your readers remember them!

Readers: what are your favorite settings and why?
Writers: what are some ways you make your settings believable?

Happy Friday, and until next time!
Warm regards,
Kellie

If you want to write a book, here are five actual tips. (Don’t quit!)

Okay, my fellow writers, we all know that Beast article sucked. Maybe it was trying to be a tough-love kind of motivation. (Yes, it takes dedication.) Maybe it was trying to relate a truth about writing. (Yes, it can be hard.) Maybe the author was just having a terrible time as a writer and wanted to ostracize the community he desperately wanted to become a part of. (Side-eyes the article again.)

Regardless, the article was poorly written, the author comes across as a villain, AND the “tip” he gives (write everyday) while good for some people, simply can’t work for others. The author’s idea of “if you want to write a book, write everyday or quit” is a terrible mindset to have. To that end, here are five tips if you want to write a book:

1.) Read. Read so many books, inside your genre and out, whenever you can spare the time. Why? It’s important to see what’s been done in the literary world, it’s a way to build your repertoire of words (sounds weird, but seriously, reading helps you build your vocabulary), and it’s also a great space to gain inspiration.

2.) Read your work out loud. Yes, this also seems weird and maybe don’t do this in a coffee shop or other public place, but reading the scenes out loud will allow you to figure out the sticky spots, the weird transitions, the too-long sentences. It can help with pacing, too.

3.) Consider having a Post-it note on your computer (or somewhere you can dig it up easily) with an inspiring quote from your favorite author or from your favorite book. It’s something you can look at when times are rough, or when that one scene just isn’t working, or when you can’t think of how to make this one MC amazing. For me, I have this quote from Patrick Rothfuss when he guest starred on Critical Role as Ker saved on my desktop: “There are many things that move through fire and find themselves much better for it afterward.” 

4.) Try not to edit your first draft while you’re writing. It’s hard, I know. I also want to go back and fix things, but if you do that, you’ll literally never be done with the first draft. Give yourself permission to have that first draft be shit. Write whatever the hell you want. There’s always the second and third drafts to pull it into the shape you want it to be in.

5.) And finally, my last tip is a tip of the hat toward the Beast article. If you want to write a book, write. Simply write. You can write everyday. You can write once every week. You can write for a marathon weekend or a marathon month. But if you want to write a book, all you have to do is write. Write when it’s best for you.

BONUS TIP: And please, for the love of all the writing gods and goddesses and muses in this world and beyond, please don’t give up. Your story is worth telling.

I hope you have a lovely weekend.
Warm regards,
Kellie

How The Heck Do You Name Your MC?

So, you have a great story. A plot that’ll throw readers out of their seats. A main set of characters that are relatable and funny and unique. A twisted villain that straddles the line between true darkness and having a reason why they’re doing their evil deeds. You might even have a title for this masterpiece. But then you stop and realize: you don’t have a name for your main characters. What are you supposed to call them? What name would hold the mantle of the story? What should the minor characters shout as they claim victory?

Some authors have no issues finding the right name for their characters. Some authors spend days or months trying to find the right one. I belong in the “days or months” category. It takes me ages to figure out a name that I like, but because of that I’ve developed a set of tools that helps me. Maybe you could use those tools, too? Here are three ways I discover my character names like the ones in my Cicatrix Duology:

Try To Determine What They Represent In The Story
This is an old technique but I use it all the freaking time. Is your character brave? Strong? Shifty? Honorable? Scary, maybe? I used this for both my Across the Stars business owner Cassidy Gates and the big baddies Acedians (not a single character but are important enough they are a single big-bad entity). I knew Cassidy would be smart and independent and more clever than Mia, she’d be able to see through Mia’s ruse in a way no one else could, so I researched those traits and found her name. For the Acedians, I wanted to reflect their last stage, where the human part of them is taken away and they’re basically a shell for Donavin’s use. Adecia means “apathetic” and worked perfectly.

Pick Them Because Of An Inside Joke
Now don’t walk away from this or scoff. It’s a weird way of thinking, but my spaceship captain Mia Foley falls into this category. I couldn’t figure out what I wanted to name her, and originally it had been Maria but then I kept on thinking of the song from Sound of Music and kept humming “How Do You Solve A Problem Like Maria” in my head whenever her name came up. (Spoiler: In the two books, her name comes up a lot.) It wasn’t working out. So I thought about her story, about her past, her capture, her running, her always trying to stay one step ahead. And then it hit me, she literally tried to be M.I.A. (missing in action) after blowing up every ship. I realize it’s not the standard military way of using it (where it explains a missing person after a battle) but she tried to disappear. It made me chuckle and when I wrote her name in the story, it just worked.

Try One Of Those Name Generators
I really enjoy combing through the random name generators to find unique names for my characters – like Nin, who you’ll meet in Losing Hold. I never use the actual names that pop up but I like combining certain vowel sounds I see and figure out if it works, especially for last names or fantasy names.

Those are my tricks of the trade. What are some of yours? Leave a comment!

Hope you’re having a lovely Easter (if you celebrate) and a lovely Sunday (if you don’t)!
Warm regards,
Kellie